Politics is stupid. It is ridiculous. Absurd. Frustrating. For most of us even at its best, politics is simply boring, at its worst exceptionally depressing.
It is a stark condemnation of the activity, that when our politicians manage to display some semblance of principle or compassion in the face of tragedy, we laud them for overcoming politics.
In the face of such overwhelming disdain, it is easy to see why we turn our dry and dreary governance into fuel for our entertainment. It is simply easier to treat these passionless debates and baffling legislation as parts of a vast national sport, with added pride, pomp and circumstance.
The current commander-in-chief of the largest military force in human history (pictured above in the moment of his triumph) is the purest distillation of politics as entertainment.
The former reality-star turned chief executive is hardly in the Oval Office on merit. He is catastrophically ignorant and profoundly unsuitable in morals and temperament to the lower rungs of public service. And yet, he won (with some Slavic aid no doubt) the presidency of the most important country in the world.
Now, once Trump secured the Republican nomination there are a host of practical and pragmatic reasons why he was voted for. They’ve all been dissected and analyzed to saturation so I shall not discuss them here.
However, the reason Trump was elevated to a position where it was even possible for him to win the nomination is quite simple.
Donald Trump is entertaining.
That is by no means an endorsement of his particular colour of demagoguery, which remains odious and shallower than a common sieve. But it is a recrimination of the political class in America. Lacking charm or wit, they find themselves outplayed by the sort of creature who finds grade-school nicknames to be a dignified weapon in his rhetorical repertoire. And thus they lose. So it goes.
This is not to suggest that left is not guilty of elevating the unworthy to positions of reverence.
Take for example the role of comedy in left of centre discourse.
Over the last two decades, we have all seen the growth of political satire as a main stream of political conversation. Led by Jon Stewart, driven by a defiant irritation against the inadequacies of the Bush administration, The Daily Show ushered in a Golden Age of political comedy, in which many of its alumni reign supreme.
Unfortunately, the left’s warm embrace of easy political comedy and the vindication that a punch-line provides, comes at a cost.
Conservatism in its best forms, requires elitism. The conservative intellectual must be capable and willing to defending the past in both the broad and the specific. This manifests itself in a love of the ‘finer things’, of the bourgeois and the snobby, of Shakespeare, opera and golf (in rapidly descending order). When conservatism allies itself to populism, as it has in America with Fox News and the petty demagogues of talk radio, it diminishes; shrinking until it exists only to provide an intellectual defense of indefensible politics.
Similarly, when progressives ally with what is an escape into cynicism, sarcasm and outrage, they abandon the very real necessity for the left to be explicitly constructive. Democracy and liberty are fundamentally radical ideas and their ideals remain under construction. To be so distressed by political opposition that we escape its pressures through what is, at the end of the day entertainment, leaves a vacuum ripe for the exploitation of the reactionary and the regressive.
The early French sociologist Émile Durkheim first developed a complex theory of society as an organism, with various institutions acting as organs, fulfilling functions required for living. This was developed further by later writers but the fundamental metaphor is an interesting one to apply to any society.
Obviously in a liberal democracy the heart is the Constitution and the rule of law. In America perhaps the heart is shared with The Declaration of Independence (whose weighty signing was celebrated this week).
The mind may be freedom of thought, or when institutionalized, a free press.
Where does the comedy go though? It does not perform any essential function that is easily detectable. It is in essence no difference than any other art, it exists primarily for us to enjoy.
Free expression is often described as a requirement of a free society. While this sentiment is admirable and understandable I think it may be slightly off base. It is certainly true that any free society must allow free expression and thought, but it is not that expression that forms a free society.
Speech and expression are most important in precisely those in which they are not free. In which they come far too high a price. It is that violently expensive speech that moves masses and topples kings. It is that speech that requires of the speakers a commitment to hanging together, lest they find themselves hanging separately.
To return to the body politic, it seems that free speech has no place among the organs of a free society. It is instead of the breathing, the breath itself of liberty, instead of the heartbeat, the pulse of emancipation.
It is a sign of freedom, and thus we see in the birth of free peoples the loud exhalation in exaltation of dissidents and revolutionaries. In Czechoslovakia. In Georgia. In the Middle East and North Africa.
These breaths of freedom may be stifled by the iron hand or the jackboot, but without them no change is possible.
So when we claim that our cynicism and sarcasm is a suitable response to the transgressions and shortcomings of our politics, that it’s free speech at its finest. I simply ask that we remember those to whom the only path to liberty is through painfully sincere and costly speech.